Uncommon Martyrs: The Plowshares Movement and the Catholic Left
by WILCOX, Fred A.
Reading: Addison-Wesley, 1991. First. hardcover. very good(+)/fine. xvii, 249 pages. 8vo, blue cloth backed boards, d.w. Massachusetts: Addison-Wesley, (1991). Several small stains at edges of text block, minor sunning at board edges, internally clean. A very good(+) copy in a fine dust wrapper.
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The Autobiography & Sex Life of Andy Warhol
by WILCOCK, John
New York: Other Scenes, 1971. First. paperback. very good(+). Photos by Skunk-Kender. 4to, photographic wrappers, light rubbing along spine. New York: Other Scenes, 1971. First Edition. Very good (+) Interviews with Charles Henri Ford, Leo Castelli, Via, Marisol, Ultra Violet, Henry Geldzahler & others.
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Longing for the Harmonies: Themes and Variations from Modern Physics
by WILCZEK, Frank & DEVINE, Betsey
New York: Norton, 1988. First. hardcover. fine/near fine. 361 pages. Thick 8vo, cloth-backed boards, d.w. (wrapper toned at edges, visible only from rear). New York: Norton, (1988). First edition. Fine in near fine dust wrapper. With a charming personal inscription, signed by both authors: "For... And may all the forces be with you!" "Devoted to sharing their... Read More
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The Lightness of Being: Mass, Ether, and the Unification of Forces
by WILCZEK, Frank
New York: Basic Books, 2008. hardcover. fine/fine. Several pages of color illustrations. xi, 270 pages. 8vo, white boards with gilt lettering at spine, d.w. New York: Basic Books, (2008). Boards slightly sunned at the edges. A near fine copy in a near fine dust wrapper.
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Beitrag zur Kenntnis der Amyloiden und der Hyalinen Degeneration des Bindegewebes
by WILD, Carl
hardcover. 26pp. IN: Beitraege zur path. Anatomie und Physiol., vol. 1, pp. 175-200. 8vo, cloth-backed boards; rubbed. Jena, 1886. First Edition. Offered entire. First reported case of primary amyloidosis. GM 2306.
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Letters I Never Mailed
by WILDER, Alec
Boston: Little Brown, 1975. First. hardcover. very good/very good. 243pp., small 8vo, cloth-backed boards, d.w.; a few small tears to the dust wrapper. Boston: Little, Brown and Company, (1975). First edition. A very good copy in a very good dust wrapper.
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Karl Blossfledt: Working Collages
by WILDE, Ann; WILDE, Jurgen (ed's)
Cambridge: MIT Press, 2001. hardcover. fine/near fine. Karl Blossfledt. 61 b/w and color plates. 22 pages of text. Oblong 4to, blue cloth, pictorial d.w. Cambridge: MIT Press, (2001). A fine copy in a near fine dust wrapper. Translated from the German by Christopher Jenkin-Jones.
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Claude Monet: Biographie et Catalogue Raisonne. VOLUMES I-IV
by WILDENSTEIN, Daniel
Lausanne: Bibliotheque des Arts, 1974. hardcover. very good. Monet, Claude. 4 volumes. Hundreds of illustrations, primarily in black & white. folio, blue cloth; volumes I, III, & IV have dark (ink?) stains on the front covers. Lausanne-Paris: La Bibliotheque des Arts, 1974-1985. Internally fine, a very good set. VOLUME I: 1840-1881, VOLUME II: 1882-1886, VOLUME III: 1887-1898,... Read More
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L'opera completa di Fragonard. [No. 62]
by WILDENSTEIN, Daniel and MANDEL, Gabriele
Milano: Rizzoli, 1972. hardcover. very good/very good. Fragonard. Illustrated mostly in color. 116 pages with text In Italian. slim 4to, pictorial boards, dust wrapper. Milan: Rizzoli, (1972). Large ink stamp from Harry Abrams Editorial Library, else a near fine copy in a very good dust wrapper. Number 62 in the Classici dell'Arte series.
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L'opera completa di Toulouse-Lautrec. [No. 31]
by WILDENSTEIN, Daniel and ANANOFF, Alexandre
Milano: Rizzoli, 1977. hardcover. Toulouse-Lautrec. Illustrated mostly in color. 128 pages with text In Italian. slim 4to, pictorial boards, dust wrapper. Milan: Rizzoli, (1977). A very good copy. Number 31 in the Classici dell'Arte series.
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Kiss Me Like A Stranger
by WILDER, Gene
Norwalk: Easton Press, 2005. Limited. hardcover. fine. 8vo, dark red leather deciratively stamped in gilt, all edges gilt. Norwalk: Eaton Press. (2005). First Edition. Fine. Number 6 of 1680 copies, signed by Wilder.
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Chardin
by WILDENSTEIN, Georges
Oxford: Cassirer, 1969. hardcover. near fine/very good. Chardin. Profusely illustrated in black & white, tall thick 4to, rust cloth, rubbed and chipped d.w. Greenwich: New york Graphic, (1969). Revised and Enlarged. A near fine copy in a good dust wrapper. Includes a Catalogue Raisonne.
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The Paintings of Fragonard
by WILDENSTEIN, Georges
New York: Phaidon, 1960. hardcover. near fine. Complete Edition. Numerous black & white illustrations and mounted color plates, tall 4to, rust cloth, board slipcase. New York: Phaidon, (1960). Fine copy in a good slipcase.
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Gauguin. I: Catalogue
by WILDENSTEIN, Georges
Paris: Les Beaux-Arts, 1964. Limited. hardcover. near fine/very good(-). Gauguin. With mounted colour frontispiece, and 630 black & white illustrations, catalogue, and indices. [xvi], 288 pages with all text in French. Folio, red boards with ornately gilt-decorated covers, tattered d.w. Paris, Les Beaux-Arts, 1964. Limited first edition. A near fine copy in a very good(-) dust wrapper. Limited... Read More
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Italian Drawings in the Department of Prints and Drawings in the British Museum: Michelangelo and His Studio
by WILDE, Johannes
London: British Museum, 1953. hardcover. very good(+)/very good(-). Michelangelo. 153 black-and-white plates. xx + 142 pages. Large 8vo, blue cloth (faded at head of spine), chipped and worn dust wrapper. London: British Museum, (1953). Other than fading on spine, a near fine copy in a very good(-) dust wrapper.
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On The Banks of Plum Creek
by WILDER, Laura Ingalls
New York: Harper, 1937. First. hardcover. fine/good. Illustrated by Helen Sewell and Mildred Boyle. Large 8vo, tan cloth pictorially stamped in plum color; decorative end-papers. d.w. New York: Harper & Bros., 1937. First Edition. Fine copy in a damaged dust wrapper, the front a back panels intact, but missing half the spine; ownership signature, 1937. This is... Read More
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Deux Contes
by WILDE, Oscar
Paris: F.-L Schmied, 1926. Limited. hardcover. near fine. Color woodcuts and decorations by Francois-Louis Schmied, printed by hand. 4to, full black crushed morocco (spine faded to brown) with gold & silver art deco design; full gray leather doublures pictorially stamped in gilt & blind with a singing bird; gray silk fly-leaves, by Gonin. Paris: F.-L Schmied, 1926. Limited... Read More
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A Woman of No Importance
by WILDE, Oscar
London: John Lane, 1894. Limited. hardcover. very good. Tall 8vo ,lavender cloth, faded to tan, with gilt designs, considerably browned on the spine and edges; pages untrimmed, London: John Lane, 1894. Limited First Edition. Mason, 365. One of only 50 copies, printed simultaneously with the first trade edition. Internally fine and clean.
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The Sphinx
by WILDE, Oscar
London: Elkin Mathews & John Lane, 1894. Limited. hardcover. fine. Ricketts, Charles. Title page design and nine illustrations, eight full page, by Charles Ricketts. Printed throughout in black, red & green, all edges untrimmed. Thin, small 4to, full vellum with pictorial decorations in gilt to the spine & covers by Ricketts. 2 bookplates. London: Elkin Matthews & John... Read More
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Salome
by WILDE, Oscar
New York: Dutton, 1927. hardcover. fine. Vassos, John.. Illustrations by John Vassos. 4to, handsomely rebound in 1/2 purple crushed morocco and decorative gold and purple boards. New York: Dutton, (1927). Fine.
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![Sebastian Melmoth [Oscar Wilde]](https://d3525k1ryd2155.cloudfront.net/h/004/379/1518379004.0.m.jpg)
Sebastian Melmoth [Oscar Wilde]
by WILDE, Oscar
London: Humphreys, 1906. hardcover. Epigrams and "The Soul of Man Under Socialism". Title in red and black, 222pp., untrimmed, small 8vo, rebound in full brown morocco, black spine labels, gilt-decorations, raised bands. London: Arthur L. Humphreys, 1911. Mint. Sebastian Melmoth was Oscar Wilde's pseudonym, used after his arrest and subsequent move to the continent.
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The Ballad of Reading Gaol by C.3.3
by WILDE, Oscar
London: Smithers, 1898. First. hardcover. very good(+). Slim 8vo, mustard cloth backed in white with gilt lettering. London: Leonard Smithers, 1898. Limited First Edition. One of 800 copies printed on hand-made paper on one side only. Inscribed on title page; "I.O. from F.A.S. Guilsborough Hall." A very good copy with some bubbling of the cloth and light... Read More
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The Works of Oscar Wilde
by WILDE, Oscar
New York: Nottingham, 1910. Limited. hardcover. fine. 10 volumes. Thick 8vo, finely bound in recent 3/4 dark green morocco with twin burgundy spine labels, decoratively gilt spines, raised bands and marbled boards, top edges gilt, deckled edges. New York: Nottingham Society, circa 1910. Fine. Deluxe Edition, Number 832 of of 1000 sets.
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Salome. A Tragedy in One Act
by WILDE, Oscar
London: John Lane The Bodley Head, 1907. hardcover. fine. Aubrey Beardsley. Introduction by Robert Ross. Illustrated by Aubrey Beardsley with 16 full-page drawings, including the title page, contents page, and sketch for cover design; one folding facsimile. xviii, [8], 66, [2] pages. Slim square 8vo, original green cloth with ornate gilt-stamped cover. London: John Lane, the Bodley Head.... Read More
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The Women of Homer
by WILDE, Oscar; WRIGHT, Thomas; MEAD, Donald, eds
London: Oscar Wilde Society, 2011. Reprint. hardcover. fine/very good(+). Illustrated in black and white. 103 pages. 8vo, blue cloth, d.w. (small tears/stains on rear cover). London: Oscar Wilde Society, 2011. Fine in a very good(+) dust wrapper.
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