PINTURA Y VIDA COTIDIANA EN EL RENACIMIENTO: ARTE Y EXPERIENCIA EN EL QUATTROCENTO; Colección Caleidoscópica/ Szir Sandra M; 3. Editado por Ana Basarte; Ana Mosqueda. Traducción de: Homero Alsina Thevenet
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- Buenos Aires: Amperstand, 2016
Buenos Aires: Amperstand, 2016. b/w plates, facs., appen., ind., color pict. endpapers, color fldg. pict. wrps. CONTENTS: Lista de ilustraciones -- Prologo -- Prefacio -- I. Condiciones del comercio: Introducción -- Los contratos y el control del cliente -- Arte y materia -- El valor de la habilidad -- La precepcion de la habilidad -- II. El ojo de la epoca: Istoria -- Volumenes -- III. Cuadros y categorias: Masaccio -- Filippo Lippi -- Andrea del Castagno -- Fray Angelico -- Conclusion -- Apendice -- Indice de nombres.
This work, published for the first time in English in 1972, was reissued more than a hundred times in different languages. Taking off from the theoretical statements that resort to large political or ideological structures to explain the synchronicity of art and the era that produced it, the author analyzes the tools and visual habits that make up a cognitive style used by artists and viewers to decode information and understand the meaning of the representations. In this illuminating analysis, Baxandall addresses the varied relationships that link images with the social life of a given culture and period.
This work, published for the first time in English in 1972, was reissued more than a hundred times in different languages. Taking off from the theoretical statements that resort to large political or ideological structures to explain the synchronicity of art and the era that produced it, the author analyzes the tools and visual habits that make up a cognitive style used by artists and viewers to decode information and understand the meaning of the representations. In this illuminating analysis, Baxandall addresses the varied relationships that link images with the social life of a given culture and period.