The Australian Journal of Screen Theory - 7: Film and Theatre

  • Softcover
  • Kensington (Australia): School of Drama/University of New South Wales, (c.1980)
By (Gerdes, Peter R., and Neil McDonald, eds.)
Kensington (Australia): School of Drama/University of New South Wales. Very Good+. (c.1980). Issue No. 7. Softcover. [minor wrinkling at upper left corner of front cover, light external soiling]. Includes these articles on the stated theme: "The Relationship Bewteen Shakespeare's Stagecraft and Modern Film Technique (with special reference to the films of Laurence Olivier)," by Neil McDonald; "Montage in the Theatre," by Helen White (and a response by Stephen Crofts); "A Deconstruction of the Performance and Destruction of 'What is Black and White and Red all over?'," by Laleen Jayamanne; "Ozu and the No," by Ruth Vasey; "Jacobean Drama and the Martial Arts Films of King Hu: A Study in Power and Corruption," by Vicki Ooi; "A Meditation on Theatre and Love: Ingmar Bergman's film of The Magic Flute," by Richard Hunter; and an interview with playwright and screenwriter David Williamson. .

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