[Op. 84]. Sonate in Fis-moll für Violine und Klavier [Score and part]
- Leipzig: Lauterbach u. Kuhn [PN L. & W. 250], 1905
Leipzig: Lauterbach u. Kuhn [PN L. & W. 250], 1905. Folio. Original upper wrapper trimmed and laid down to heavy gray paper. 51 pp. score + 15 pp. violin part.
Handstamp "Lebermann" to inner corner of upper wrapper and title of both parts.
Wrappers somewhat worn and faded. Lightly browned throughout; corners slightly creased; violin part with numerous performance markings in pencil; "1905" in green ink to lower margin of upper wrapper. First Edition, early issue. Stein, p. 200.
German composer Max Reger is often considered a bridge composer, linking late romanticism with modernism. His chamber music in particular shows his combination of classical forms with a complex harmonic language. The Violin Sonata, Op. 84, was composed in 1905, and first performed by violinist Henri Marteau on March 7, 1905, with Reger at the piano.
Handstamp "Lebermann" to inner corner of upper wrapper and title of both parts.
Wrappers somewhat worn and faded. Lightly browned throughout; corners slightly creased; violin part with numerous performance markings in pencil; "1905" in green ink to lower margin of upper wrapper. First Edition, early issue. Stein, p. 200.
German composer Max Reger is often considered a bridge composer, linking late romanticism with modernism. His chamber music in particular shows his combination of classical forms with a complex harmonic language. The Violin Sonata, Op. 84, was composed in 1905, and first performed by violinist Henri Marteau on March 7, 1905, with Reger at the piano.