Peter Cain

  • New York: Matthew Marks Gallery, 2017
By Peter Cain; Beau Rutland; Collier Schorr; Richard Meyer
New York: Matthew Marks Gallery, 2017. Near Fine/Near Fine. New York: Matthew Marks Gallery, 2017. First Edition. Quarto (30x26x2cm); 162pp, including list of exhibitions and bibliography. Color images of Cain's work throughout, with additional background, personal, and studio photographs.

Photographic dustjacket. Black boards with blacker lettering on spine and front panel. Both jacket and volume pristine.

This is the first major monograph on the paintings of dysmorphic, impossible, but still appealingly sexy cars by Peter Cain (1959-1997)—who knew how to compress sizzling cars and sizzling boyfriends into tightly delimited spaces.

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