The Moving Image: The Journal of the Association of Moving Image Archivists (Fall 2002)

  • Journal
  • Minneapolis: University of Minnesota Press, 2002
By (Horak, Jan-Christopher, ed.)
Minneapolis: University of Minnesota Press. Fine. 2002. (Vol. 2, No. 2). Journal. [as-new, nice and clean with no discernible wear]. (B&W photographs, facsimiles) In this issue: "Polavision Instant Movies: Edwin Land's Quest for a New Medium," by Elizabeth Czach; "Identifying and Documenting the Small Gauge Image: Researching Rare Footage of a First Nations School in the Canadian West," by Rosemary Bergeron; "An Academic Perspective: The Life and Films of John Barnes," by Geoff Alexander; "Coming to Terms with New York City's Moving Picture Operators, 1906-1913," by Roberta E. Pearson and William Uricchio; "Edison in Quebec (1894-1913): Shedding a Foreign Light on the Origins of Cinema in Canada," by Pierre Véronneau. Shorter pieces presented under the "Forum" heading are: "The UCLA Film & Television Archive: A Retrospective Look," by Robert Rosen; "The Edison Home Kinetoscope and Its Films," by Alan D. Kattelle; "Edison Home Kinetoscope (22mm): A List of Films and Sources," by the Small Gauge Working Group; "Restoring 22mm Edison Home Kinetoscope Films," by Ken Weissman and William O'Farrell; "The Fragile Emulson," by Jon Gartenberg; "The Research Value of Amateur Films: Integrating the Use of Amateur and Found Footage into a Film Production Course," by Laura Kissel. There are also reviews of five books and four films. .

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Specializing in Unusual, Uncommon and Obscure Books in many (but not all) fields, with particular interest in American Culture (Popular and Unpopular), Art, Literature, Life and People from the 1920s through the 1960s