A Compleat Collection of Haydn, Mozart, and Beethoven's Symphonies, in Score, Most Respectfully Dedicated by Permission to H.R.H. The Prince of Wales No. XIII [XIV, XV, XVI]. Price to Subscribers S5 Non Subscribers 8. [KV 543, 504, 620, and 492]. Full scores, including to Symphonies 38 (the "Prague"), 39, and the overture to Die Zauberflöte
- London: Cianchettini & Sperati [PNs 13, 14, 15, 16], 1808
London: Cianchettini & Sperati [PNs 13, 14, 15, 16], 1808. Large octavo. Nineteenth century black textured cloth boards.
Contains four works by Mozart, each with identical title excepting number (XVIII-XVI), with "Rymer & Son Sc.[ulpsi]t" to lower outer corner. Timpani part printed on a three-line stave, rather than the usual five. Engraved throughout.
- [KV 543]. Mozart's Symph: I [Symphony No. 39]. 1f. (recto title, verso blank), 52 pp. First Edition. New Köchel, p. 673. RISM M5549.
- [KV 504]. Mozart's Symph: II [Symphony No. 38, the "Prague"]. 1f. (recto title No, XVIV, verso blank), 53, [i] (blank) pp. First Edition. New Köchel, p. 628. RISM M5539.
- [KV 620]. Mozart's Symph: III. 1f. (recto title No. XV, verso blank), 34 pp. This appears to be the first separate printing of the overture, pre-dating the first edition of the full score published by Simrock in 1814. Köchel 8, p. 711.
- [KV 492]. Mozart's Symph: IV. 1f. (recto title No. XVI, verso blank), 16 pp. Overture to Le Nozze di Figaro. OCLC 946738393.
With 19th century bookplate of Charles Kensington Salaman incorporating a lion holding a palm frond above a banner imprinted with the word "Hallelujah" to front pastedown; title of each symphony and "C. Salaman, 36 Baker St., Jan[uar]y 17, 1863" in black ink in Salaman's hand to head of each title.
Binding worn; spine partially lacking; upper hinge partially split; free front endpaper partially detached. Moderate browning and foxing throughout; occasional minor stains to blank margins. Salaman (1814-1901) was an Jewish English composer, pianist, and writer.
Contains four works by Mozart, each with identical title excepting number (XVIII-XVI), with "Rymer & Son Sc.[ulpsi]t" to lower outer corner. Timpani part printed on a three-line stave, rather than the usual five. Engraved throughout.
- [KV 543]. Mozart's Symph: I [Symphony No. 39]. 1f. (recto title, verso blank), 52 pp. First Edition. New Köchel, p. 673. RISM M5549.
- [KV 504]. Mozart's Symph: II [Symphony No. 38, the "Prague"]. 1f. (recto title No, XVIV, verso blank), 53, [i] (blank) pp. First Edition. New Köchel, p. 628. RISM M5539.
- [KV 620]. Mozart's Symph: III. 1f. (recto title No. XV, verso blank), 34 pp. This appears to be the first separate printing of the overture, pre-dating the first edition of the full score published by Simrock in 1814. Köchel 8, p. 711.
- [KV 492]. Mozart's Symph: IV. 1f. (recto title No. XVI, verso blank), 16 pp. Overture to Le Nozze di Figaro. OCLC 946738393.
With 19th century bookplate of Charles Kensington Salaman incorporating a lion holding a palm frond above a banner imprinted with the word "Hallelujah" to front pastedown; title of each symphony and "C. Salaman, 36 Baker St., Jan[uar]y 17, 1863" in black ink in Salaman's hand to head of each title.
Binding worn; spine partially lacking; upper hinge partially split; free front endpaper partially detached. Moderate browning and foxing throughout; occasional minor stains to blank margins. Salaman (1814-1901) was an Jewish English composer, pianist, and writer.