Edward Weston's Kitchen
- SIGNED Photograph
Later printing of the 1940 photograph. Photograph. Near Fine. SIGNED. Silver gelatin print (9 5/8" x 7 3/8"); mounted and matted (17" x 14"), and signed 'Beaumont Newhall' in pencil at lower right on the mount.
TOGETHER WITH:
Newhall, Beaumont; Foreword by Ansel Adams. In Plain Sight: The Photographs of Beaumont Newhall. Salt Lake City, UT: Gibbs M. Smith, Inc.; Peregrine Smith Books, 1983. First trade edition. Signed by Beaumont Newhall on the title page. 65 pp. Quarto [29 cm]; full black cloth with silver lettering, in the photo-illustrated dust jacket; Very Good + / Very Good +. Beaumont Newhall's major retrospective; the photograph "Edward Weston's Kitchen" is featured as item forty-one on page 43 of this book. A beautiful and starkly contrasted straight-on view of the famous western photographer Edward Weston's kitchen.
Beaumont Newhall (American, 1908-1993) played a significant role in developing the two most respected centers of photographic studies: The Museum of Modern Art in New York City and The George Eastman House in Rochester, New York. He was the first curator of photography at The Museum of Modern Art and the second director of The George Eastman Museum. His book "The History of Photography, 1839 to the Present," has become a standard general history of photography.
TOGETHER WITH:
Newhall, Beaumont; Foreword by Ansel Adams. In Plain Sight: The Photographs of Beaumont Newhall. Salt Lake City, UT: Gibbs M. Smith, Inc.; Peregrine Smith Books, 1983. First trade edition. Signed by Beaumont Newhall on the title page. 65 pp. Quarto [29 cm]; full black cloth with silver lettering, in the photo-illustrated dust jacket; Very Good + / Very Good +. Beaumont Newhall's major retrospective; the photograph "Edward Weston's Kitchen" is featured as item forty-one on page 43 of this book. A beautiful and starkly contrasted straight-on view of the famous western photographer Edward Weston's kitchen.
Beaumont Newhall (American, 1908-1993) played a significant role in developing the two most respected centers of photographic studies: The Museum of Modern Art in New York City and The George Eastman House in Rochester, New York. He was the first curator of photography at The Museum of Modern Art and the second director of The George Eastman Museum. His book "The History of Photography, 1839 to the Present," has become a standard general history of photography.